Kamis, Oktober 02, 2008
*24 audio buss and 8 x 8 output matrix
*8 automute groups, and 8 input channel VCA sub groups;
including VCA sun group muting
*XLR inputs: 40 mic, 8 aux bus inject, 10 audio group bus inject, 8 matrix bus inject,
2 master bus inject, 1 comms, 1 talk mic and 1 solo
*8 aux, 10 audio group, 8 matrix, 3 master, 2 local and 1 talk XLR outputs
Balanced inserts, line inputs and mic inputs
Description
The XL200 features a state of the art Analogue Devices mic amplifier which assures low distortion and excellent amplifier stability, RF rejection and noise performance. A separate Hi Z line input is incorporated which is ideal for playback of recorded material. Every input module is fitted with a direct output as standard making multi-track recording a simple task. The sonic performance of the legendary Midas equalizer is maintained including parametric mids with sweepable frequency and switched ‘Q’.
Frequency Response: 20 Hz to 20 kHz (+0 to -1 dB)
Distortion at 1kHz: Mic to Mix (+60 dB gain, 0 dBu output): <>
Channel < -100 dB;
Mix to Mix < -90 dB;Channel to Mix < -90 dB;
Maximum Fader attenuation > 90 dB
Common Mode Rejection: Mic (gain +60 dB): > 70 dB,
Mic + Pad (gain +40 dB): > 50 dB,
Line: > 40 dB
Noise (20 Hz to 20 kHz): EIN (150 ohm source) Mic (gain +60 dB): -128 dBu,
Line (gain +10 dB): -100 dBu
Maximum Input Level: Mic: +15 dBu, Mic + Pad: +35 dBu,
Channel Line Inputs: +26 dBu,
All other Line Inputs: +21 dBu
Maximum Output Level: All Line Outputs +21 dBu;
Headphones +21 dBu (8W into 8 ohm);
Comms (Bi-directional) -10 dBu
Input Impedance: Mic: 2k ohm balanced;
Line: 20k ohm balanced
Input Gain (all faders at 0dB): Mic: Continuously variable from
+6 dB to +60 dB,
Mic + Pad: Continuously variable from
-14 dB to +40 dB,
Channel: Continuously variable from
Line Input -10 dB to+20 dB,
All other Line Inputs: 0 dB
Nominal Signal Level: Mic: -60 dBu to +14 dBu,
Channel Line Inputs: -20 dBu to +6 dBu,
All other Line: 0 dBu,
Headphones: +10 dBu,
Comms: -20 dBu,
Comms and Talk Mic: -50 dBu to -20 dBu