Jumat, Oktober 24, 2008
The Ampeg B1-RE is our most value-oriented bass head, offering 300-watts of output power @ 4 Ohms, three bands of EQ, Preamp Out/Power Amp In, and an XLR Balanced Line out. It is virtually identical to its big brother, the B2-RE, minus the Graphic EQ.
Peak LED Input Indicator
Defeatable Limiter
Variable Speed Fan
1/4" and Neutrik Speakon® Outputs
Specifications:
RMS Power Output (4 ohms): 300-Watts
RMS Power Output (8 ohms): 175-Watts
Preamp:
Power Amp: MOSFET
Tone Controls: 3-Band
Mid Tone Control: Ultra Mid
Balanced Line Out: Yes, with Pre/Post and Pad
Effects
Preamp Out/Power Amp In: Yes
Dimensions (W x H x D inches): 19 x 3.5 x15
Weight: 22 Pounds
The ABM 500 EVO III is a 575 watts RMS bass amp head designed to satisfy both bass-purists and tech-heads alike. Three straightforward rotary tone controls provide 20dB of cut and boost at 60Hz, 660Hz and 5kHz, and are supplemented by two pairs of additional sliders giving 15dB cut and boost at 180Hz, 340Hz, 1.3kHz and 2.6kHz. The EQ can be switched in/out by a footswitch, enabling players to go from a flat fretless sound to a boosted sound via a favourite EQ setting. A single input is switchable for passive and active instruments with a blend of solid state and dual triode tube preamps stages which can be preset and selected by footswitch, providing access to a massive range of clean, warm and overdriven tones.
Power Requirement: 230 / 115V
Frequency Response: -3dB at 17Hz and 30kHz
Speaker Outputs: Minimum impedance 4 Ohms
High Instrument Input Impedance 3.9m Ohms, input range 150mV - 20mV p-p
Low Instrument Input Impedance 10k Ohms, input range 300mV - 40V p-p
Line Input: Impedance 22k Ohms, input level 0dBu nominal
Sub Output: Impedance 1k Ohms, level 0dBu Nominal
DI Output: 600 Ohms balanced, level 0dBu nominal
Tuner Output: Impedance 22k Ohms, level 0dBu nominal
EQ: Bass +/-15dB @ 45Hz
Middle +/-15dB @ 660Hz
Treble +/-15dB @ 7kHz shelving
Slider 1 +/-15dB @ 180Hz
Slider 2 +/-15dB @ 340Hz
Slider 3 +/-15dB @ 1.3kHz
Slider 4 +/-15dB @ 2.6kHz
Shape (Push Flat) +8dB @ 50Hz & 4kHz, -8dB @ 400Hz, filter slope - 6dB/octave
Effects Send Impedance 22k Ohms, level 0dBu nominal
Effects Return Impedance 22k Ohms, input level 0dBu Nominal
H x W x D (mm) 134 x 474 x 315
Weight (kg) 14
Minggu, Oktober 12, 2008
Single channel compressor/limiter. The dbx 160A is the latest generation of the legendary dbx 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is the new industry standard compressor/limiter which is digital-ready and road tough.
OverEasy or classic hard-knee compression
Ultra-musical, program-dependent attack and release times
Variable compression ratio from 1:1 to negative compression
Adjustable dual RMS LED display
Over 60dB of gain reduction
Independent balanced and unbalanced outs
dbx 160A Compressor/Limiter
Featuring switch-selectable OverEasy and Hard Knee compression curves along with extremely wide-ranging threshold, ratio and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to "brick wall" peak limiting. Choose low ratios and OverEasy compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160A's Hard Knee compression and high ratios (up to and beyond :1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment, switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance.
The DN9848E incorporates some customer-requested operational additions. The user-configurability of the unit includes full matrix mixing capability between inputs and outputs, providing an unequalled level of flexibility. Whilst programming, inputs or outputs can now be ‘ganged’ so that the user can enter program data into one input or output menu and all connected inputs or outputs will be simultaneously updated. Input and output parameters can also be copied from one to another. The internal memory structure has also been revised such that it is now possible to back up the RAM-based system memories into non-volatile flash memory.
The proprietary ELGAR software coupled with Helix System Controller Remote Control Software (RCS) Add-In allows simple up-and-down-loading of system parameters into the FLASH memory locations, as well as storage and transmission of system information.
Should for example you need a new system configuration to be loaded into a unit on the other side of the world? No problem, simply email the ELGAR file to wherever it needs to go, it can then be uploaded into the unit in seconds.
4 input and 8 outputs, 1RU
12 delay lines / 16 all-pass filters / 16 hi & lo pass
4 comps / 8 look-ahead limiters / 96 bands of PEQ
Grouping facility allows unique system control
All facilities available all the time Full matrix mixing between inputs and outputs
Ganging of inputs and outputs
Input and outputs parameters can be copied between one another
All facilities available all of the time
Flash memory locations
Dual Ethernet ports AES/EBU digital inputs
Totally flexible routing allows DN9848E to run almost any type, configuration or make of system
It also allows amp racks to be truly multi-functional because they can be reconfigured to any application quickly and with no re-patching
Full Remote control, wired or wireless, via PC and ELGAR and System Controller Remote Control Software
Delay 0 to 300ms (102.68 m or 333’ 10” at 20(C)in 5.02 us steps)
Polarity invert Normal/invert
Output gain +12dB to -40dB in 0.5dB steps plus Off
Mute On/off
Precise Control of Your EQ with the High-performance DN Series from Klark Teknik
The dual-channel graphic EQ of choice for many audio professionals, the DN360 offers instant access, total reliability, and some of the finest analog EQ you'll find anywhere. Its variable Q design means that the "Q" value of any fader becomes narrower as the fader approaches maximum cut or boost, so rather than a collection of unconnected cuts and boost, you get a flowing, musical response with any overall fader setting.
Specification: Detail
Analog Inputs: XLR
Analog Outputs: XLR
Circuit
Digital Inputs: No
Digital Outputs: No
EQ Bands: 30 Bands
EQ Type: Graphic
Freq. Response: 25 Hz - 20 KHz
Kind: Graphic
Linkable: No
Notes: transformer balanced outputs
Rack Height:2 rack units
Sidechain: No
Total Channel: 2
The Allen & Heath ML3000 is a live sound reinforcement console that delivers VCA technology synonymous with high-end consoles, at an affordable price point. Its small foot print and straight forward layout provide comprehensive control and flexibility as a front-of-house (FOH) or monitor mixer. The ML3000 series is available in 24, 32, 40 and 48 input configurations to suite various applications.
